Sounds from Shame File’s everlasting vault of exploratory musicians, performed on Wurundjeri Woi Wurrung and Bunurong peoples’ land.
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. Two albums “Elliptical Gamelan” (2022) and “Molecular Gamelan” (2021) have recently been released on Shame File Music – https://ianandrews.bandcamp.com/music
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Clinton Green & Michael McNab share a long history of improvised work in various contexts, arising out of the multi-disciplinary group THIS Ensemble and their ritualistic trio with Ren Walters. Each often works with percussive elements, and sometimes incorporate turntables, feedback, and movement, drawing on their shared experiences of sound and creation, always shifting and evolving. Their 2016 album with Ren Walters, recorded in Murray Sunset National Park, is here – https://shamefilemusic.bandcamp.com/album/at-the-salt-museum
My new collaboration with Ian Andrews (Astasie-abasie, The Horse He’s Sick, Cut With The Kitchen Knife) is called False Currency. It’s out now on Italian label Tsss Tapes. Francisco from Tsss actually proposed this collaboration between Ian and I; he’s obviously got a good ear for these kind of things.
“The Final Transmission” 3CD/digital (Iceage Productions) is a new mega-compilation of Australian and New Zealand music, featuring a previously unreleased track by myself and Barnaby Oliver.
The Archive series comprises ten volumes, issued on CDR from 2002-2013. The series collects out-of-print, rare and previously-unreleased material of my musical output (largely under the Undecisive God moniker), beginning with nascent recordings made from 1991 through to 2007.
Primarily a private archival project, it has only been issued previously via on-demand CDRs. The CDR format will now be discontinued as the series moves to Bandcamp over coming months. The first two editions are now available on that platform, along with original liner notes:
Archive 1: 1991-4 (sham017) includes the debut cassette The Difference Between Light and Shadow in its entirety, plus some previously unreleased material and compilation tracks.
Archive 2: 1994-5 (sham019) features Undecisive God’s second release The Celestial Emporium of Benevolent Knowledge, plus 3 other compilation tracks and an early version unreleased of “Hallowed Be Thy Name”.
Preview tracks are available for free streaming (these are what I rate as the most-listenable tracks, the rest are really only for completists and the curious).
I have a new album out next month on TSSS Tapes made in collaboration with Ian Andrews (Astasie-abasie). The album is called False Currency and will be released on cassette and digitally. Here is a preview: