Emergence was a three hour improvised event centred on a large graphic score by Candice Boyd. Candice organised this event, which took place at Mt Macedon on 21 October 2018. A GAIP event, featuring Candice Boyd, Yan Yang, Ren Walters, Michael McNab and Clinton Green.
Photos by Candice:
The video below is 30 minute section from early in the afternoon.
Another new release, hot on the heels of Thylacine. Some intensive recording work over the past year is starting to emerge.
Clinton Green “If Good Fortune Follows A Fellow” cassette/digital (Chemical Imbalance, 2018) Two different sides of recent turntable manipulation/output. Side A uses audio signal output noise from a misplaying “How To Be A Ventriliquist” LP found in Auckland, agitated by layers of cardboard and a suspended fingerdrum. Side B changes stride to a meditative percussive work generated by four turntables arranged with overlapping acoustic preparations. The cassette is a limited edition of 25 numbered copies, each individually packed with a Merz assemblage/lucky dip of objects/detrius collected/constructed by myself and Chemical Imbalance label overlord, Mitch Soden (includes download code).
Fieldingis a new installation at RMIT that I’ve contributed a sound work to. Spend some time with it when you are in the area.
Text from Catherine Clover and Jordan Lacey:
This art/science collaboration has been a long time coming and it’s so rewarding to finally have it installed. The project addresses the role of sound in the greening of our cities and how sound is integral to a rich biodiversity in the complexity of the urban environment. It works as a prototype for potential applications across cities, and its impact on the site in terms of human well-being will be monitored throughout its installation (three months minimum).
Working with Jordan Lacey and Kim de Kretser we collaborated with scientists Sarah Bekessy and Freya Thomas. Through RMIT’s Landscape Architecture department via Jock Gilbert and Holly Hein, the structure was designed by students Meyrick Buchanan, Lewis Rosin and Winthur Fernandez, and realised by RMIT’s property services contractor Programmed. With audio contributions from Viv Corringham, Kathy Hinde, Leanne Waterhouse, Clinton Green, Sarah Edwards, Michael Graeve, Josh Wodak, Martin Kay, Camilla Maling and Angela Clarke. The soundscape was designed by MA student Sophie Gleeson using the compositional approaches of Pascal Amphoux and the interactivity by Industrial Design student Edward Rossi. A catalogue will accompany the launch (early November date tbc) which will include drawings by Jake Clover
Location: RMIT University Melbourne city campus in the Sunken Courtyard, close to Russell Street and borders the north wall of the old Melbourne gaol.
I was recently interviewed by Michael Furner for his Abstract Paradigms podcast, featured in the latest instalment – listen/download here. The feature starts at about the 17:30 mark.
This lengthy interview was a good opportunity to reflect on where I’ve been musically/artistically throughout the years, particularly my formative stages. The podcast also features a few tracks from some of my recent and upcoming releases. A really great overview of where I am now and where I’ve come from; I’m grateful to Michael for his interest and efforts in putting this together.
Tina Douglas & Michelle Nguyen – Michelle builds reactive audio sculptures and sound-triggering slime pots. Tina uses conductive painting and objects to trigger sound – https://www.tinadouglas.net/sound-video-performance/. This is their first time playing together.
Jen Tait & Zela Papageorgiou – Zela is a percussionist who has been mentored by Speak Percussion in instrument building and worked with a variety of unconventional objects. Jen (of Squirrel Pancake, Is There a Hotline? and many more) builds electronic thumb pianos and makes music with odd household items – https://squirrelpancake.bandcamp.com/album/mental-detective . This is a first-time duo as well.
There will also be an opportunity for informal discussion about the instruments used, approaches taken, etc.