If Good Fortune Follows A Fellow cassette/digital

ifgoodfortune

Another new release, hot on the heels of Thylacine. Some intensive recording work over the past year is starting to emerge.

Clinton Green “If Good Fortune Follows A Fellow” cassette/digital (Chemical Imbalance, 2018) Two different sides of recent turntable manipulation/output. Side A uses audio signal output noise from a misplaying “How To Be A Ventriliquist” LP found in Auckland, agitated by layers of cardboard and a suspended fingerdrum. Side B changes stride to a meditative percussive work generated by four turntables arranged with overlapping acoustic preparations. The cassette is a limited edition of 25 numbered copies, each individually packed with a Merz assemblage/lucky dip of objects/detrius collected/constructed by myself and Chemical Imbalance label overlord, Mitch Soden (includes download code).

Order/stream/download from the Chemical Imbalance Bandcamp page. I also have limited copies of the tape available through Shame File Music.

 

An excerpt is also featured on the new Chemical Imbalance Label Sampler #10.

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Fielding

 

Fielding is a new installation at RMIT that I’ve contributed a sound work to. Spend some time with it when you are in the area.

Text from Catherine Clover and Jordan Lacey:

This art/science collaboration has been a long time coming and it’s so rewarding to finally have it installed. The project addresses the role of sound in the greening of our cities and how sound is integral to a rich biodiversity in the complexity of the urban environment. It works as a prototype for potential applications across cities, and its impact on the site in terms of human well-being will be monitored throughout its installation (three months minimum).

Working with Jordan Lacey and Kim de Kretser we collaborated with scientists Sarah Bekessy and Freya Thomas. Through RMIT’s Landscape Architecture department via Jock Gilbert and Holly Hein, the structure was designed by students Meyrick Buchanan, Lewis Rosin and Winthur Fernandez, and realised by RMIT’s property services contractor Programmed. With audio contributions from Viv Corringham, Kathy Hinde, Leanne Waterhouse, Clinton Green, Sarah Edwards, Michael Graeve, Josh Wodak, Martin Kay, Camilla Maling and Angela Clarke. The soundscape was designed by MA student Sophie Gleeson using the compositional approaches of Pascal Amphoux and the interactivity by Industrial Design student Edward Rossi. A catalogue will accompany the launch (early November date tbc) which will include drawings by Jake Clover

Location: RMIT University Melbourne city campus in the Sunken Courtyard, close to Russell Street and borders the north wall of the old Melbourne gaol.

 

Interview with Abstract Paradigms

I was recently interviewed by Michael Furner for his Abstract Paradigms podcast, featured in the latest instalment – listen/download here.  The feature starts at about the 17:30 mark.

This lengthy interview was a good opportunity to reflect on where I’ve been musically/artistically throughout the years, particularly my formative stages. The podcast also features a few tracks from some of my recent and upcoming releases. A really great overview of where I am now and where I’ve come from; I’m grateful to Michael for his interest and efforts in putting this together.

Blindfold Test: a showcase of instrument builders

Peter 17
photo: Peter James
Friday 5 October, 7:30pm
The Burrow (formerly Aeso), 83 Brunswick St, Fitzroy
$10
A showcase of Melbourne instrument builders – new, developing and established – performing with their creations in three duos:

Clinton Green & Ernie Althoff – perform their back-to-back prepared turntable work ‘Blindfold test’ – https://shamefilemusic.bandcamp.com/album/blindfold-test

Tina Douglas & Michelle Nguyen – Michelle builds reactive audio sculptures and sound-triggering slime pots. Tina uses conductive painting and objects to trigger sound – https://www.tinadouglas.net/sound-video-performance/. This is their first time playing together.

Jen Tait & Zela Papageorgiou – Zela is a percussionist who has been mentored by Speak Percussion in instrument building and worked with a variety of unconventional objects. Jen (of Squirrel Pancake, Is There a Hotline? and many more) builds electronic thumb pianos and makes music with odd household items – https://squirrelpancake.bandcamp.com/album/mental-detective . This is a first-time duo as well.

There will also be an opportunity for informal discussion about the instruments used, approaches taken, etc.

Moe Chee live Friday 28 Sept

Moe Chee Night Heron img

Taiwanese/Australian duo Moe Chee 默契 play their only Australian show for 2018 at the Night Heron on Grand Final Eve (public holiday!). With support from Is There a Hotline? & Baby Roy.

Friday 28 September, 2018 – 8pm
The Night Heron, 228 Nicholson St, Footscray
Free Entry
Facebook event

Moe Chee 默契 (pronounced ‘Moe-chee’ or ‘Mo-Qi’) is a phrase in Mandarin that has no direct English translation, but can variously be interpreted as ‘silent bonding’, ‘unspoken agreement’, ‘mutual understanding’, ‘tacit’, ‘in sync’. Chun-Liang Liu and Clinton Green are artists working together with dance, music, movement and sound. Their performances, often unofficial and in public spaces, seek engagement and interaction with audiences and passersby. 默契 describes their connection in performance – https://moechee.com

Is There A Hotline? – Avid ‘flow’ practitioners and DIY enthusiasts Jen Tait (Gwenhwyfar Cheerful) and Jennifer Callaway call out to the cosmos using an assemblage of percussive objects and electronica, evoking transportive atmosphere, psychic storms and quiet retreats.

Baby Roy – Michael and George McNab. Sarcy subversive anti-performance duo. Special debut show on this 28th day of September, Name Of George’s 24th Baby Birthday. Boring acapella numbers, pathetic stage tricks, props, costumes… in short, idiocy hitherto unsurpassed… one awkward moment after another, for the sake of brotherly indulgence.

Last Moe Chee performance in Australia (2016):