Author: cdgsham

Stranger: 15-18 December 2022

| cdgsham

Stranger is a new participatory event for small audiences devised by Aviva Endean About a year ago, Aviva invited myself and three other artists – Laura Altman, Carolyn Connors and Dale Gorfinkel – to contribute participatory/interactive works to the project. The work has been through a number of creative development phases throughout the year, which I have found highly rewarding, and also quite luxurious in having the time and space to focus on my work alongside such a high calibre of sound/music friends.

Stranger is finally seeing the light of day with a series of sessions for small audience numbers. It might be of particular interest for people curious about creating sound/music themselves in a free environment without traditional instruments, as well as for people more familiar with sound art and improvisation.

The Meat Market Stables Dec 15-18th 
Thursday 15 Dec | 6pm, 8pm
Friday 16 Dec | 6pm, 8pm
Saturday 17 Dec | 1pm, 3pm, 6pm, 8pm
Sunday 18 Dec | 1pm, 3pm, 6pm, 8pm
Duration: 75 minutes
Accessibility: The Stables is a wheelchair accessible venue. Please advise the team of any other accessibility requirements when booking.

Booking and More info

Walters/Green/McNab “At The Salt Museum” now available in full digitally

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At The Salt Museum is now available in full on Bandcamp for streaming and download.

The tracks that made up this album were originally recorded on 4 December 1995, at the Murray Sunset National Park in North West Victoria. That will be 7 years ago on Sunday 4 December 2022, when Clinton Green & Michael McNab will be playing a duo in support of a rare Melbourne performance from Astasie-abasie.

A small amount of the original CD are still available.

Duo with Michael McNab this Sunday

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Astasie-abasie (SYD)

LIKE (Llara Goodall & Ben Speth)

Clinton Green & Michael McNab

Sunday 4 December, 2022 – 6pm

Static 0pen, 144 Gordon St, Footscray

Tickets

Sounds from Shame File’s everlasting vault of exploratory musicians, performed on Wurundjeri Woi Wurrung and Bunurong peoples’ land.

Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process.
Two albums “Elliptical Gamelan” (2022) and “Molecular Gamelan” (2021) have recently been released on Shame File Music – 
https://ianandrews.bandcamp.com/music

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LIKE
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Clinton Green & Michael McNab share a long history of improvised work in various contexts, arising out of the multi-disciplinary group THIS Ensemble and their ritualistic trio with Ren Walters. Each often works with percussive elements, and sometimes incorporate turntables, feedback, and movement, drawing on their shared experiences of sound and creation, always shifting and evolving.
Their 2016 album with Ren Walters, recorded in Murray Sunset National Park, is here – 
https://shamefilemusic.bandcamp.com/album/at-the-salt-museum

December 2022 performances/events

| cdgsham
  • Astasie-abasie, Clinton Green/Michael McNab, Llara Goodall/Ben Speth – Sunday 4 December @ Static: 0PEN (144 Gordon St, Footscray).
  • Ian Andrews/Clinton Green duo – Tuesday 6 December @ Make It Up Club (Bar Open – Upstairs, 317 Brunswick St, Fitzroy)
  • Aviva Endean’s Stranger: a performance installation for an ensemble audience (featuring some of my installation work) – 15-18 December @ Meat Market Stables (3 Blackwood St, North Melbourne). Bookings