Green mentions a compositional procedure for choice of tape, tape speed and direction and panning, which yields a combination of sounds disturbingly mismatched to eerie perfection, much in the way of a prolonged chance collision…the ordinary is repurposed into a hallucinatory melange of sounds beyond conventional comprehension. It taps into a powerful strand of late 20th Century experimental music, going back to Cage’s collages from the 1950s, that’s occasionally forgotten only to be taken up again a generation later… – Boring Like A Drill

This newly released two-track set makes no attempt to conceal the ugly, knobby seams and blemishes inherent to physical media and fusions or exhumations thereof; like a zealous dig through the bargain cassette bin at your local thrift store—old answering machine archives and sound effects collections and obsolete dictations and forgotten world music thrown (in)discriminately into the “yes” bag—“Here?” stitches an abstractly (yet disturbingly) coherent sequence from voices mangled to oblivion and harsh analog ephemera, while “Secret” plays with sputtering negative space, radio squawks, and sporadic bursts of raucous, chattering chaos made even more gleefully caustic by the hiss and screech of the low-fidelity playback. Moments of warm beauty also lurk quietly in the marshes of both halves, only briefly emerging when absolutely necessary to avoid wasted impact: a flutter of buzzing drone like a ray of light through the dust, a snatch of familiar innocence amidst bedlam. Lovely stuff – Noise Not Music

Here?/Secret is available here.